Wednesday, 30 September 2015
Just sent you a blog post with a typo!
Hi Honor, I spelt the name of the Indian artist mentioned in my last post incorrectly. Can you please change it to " Shilpa Gupta"
Thanks
Thanks
Tuesday, 29 September 2015
Sunset & Night Drawing (Jacinta)
Monday, 28 September 2015
Sunday, 27 September 2015
Saturday, 26 September 2015
Friday, 25 September 2015
First "Futures" page (Mandy)
I know I'm not yet in Venice but couldn't resist posting from London, especially when "All The Worlds Futures" has suddenly caught up with me (or I with it)... I turned the page of my journal to find my first "futures" page that we created back in Melbourne. It was a concertina page that prompted me to draw my impression of the endless procession of commuters on the tube.
Thursday, 24 September 2015
Found Objects (Michelle)
Just home from a delicious dinner ... Simple fresh produce... I'm sitting at my kitchen table... Home for two weeks... Listening to the Thursday night life of Via Garibaldi...and here is my take on 'wrong way' inspired by Fiona Hall.
Wednesday, 23 September 2015
A Lesson in Perspective (Jacinta)
Many highlights and thought provoking art viewing, way too many to list here. One special moment after a morning of visual and information overload, was falling into an almost catatonic state in the French Pavilion while drawing and listening to the mediative drone of one of Celeste Boursier-Mougenot's kinetic trees.
http://www.designboom.com/art/celeste-boursier-mougenot-venice-art-biennale-french-pavilion-05-06-2015/
A great lesson in perspective - I'm finally beginning to get it.
An unexpected surprise as I limped back to my apartment. A stunning jellyfish floating down a quiet canal. I think he felt like I did in the French Pavilion, totally chilled.
Sent from my iPadDay three and two mind-blowing days at the Venice Biennale.
Venice reflections
On the first day, we went to a special church called San Pietro Di Castello. I was drawn to a beautiful marble statue of Christ on the cross, so I drew a large picture of it in my visual diary. Usually I avoid religious imagery, but I loved the grace of the body hanging dead from the cross, with its beautifully shaped legs and torso.
Keys and trees (Janet)
Biennale highlights included The Key in Hand installation at the Japan Pavilion by Chiharu Shiota (I had been looking forward to this and loved it) and the moving trees inside and outside the French Pavilion (by Celeste Boursier-Mougenot).
Tuesday, 22 September 2015
Curls (Paulina)
when drawing at the church I noticed that all Cherubs, Angels or for that matter anyone close to the Devine have curly hair. What about spiky hairs and more ? I drew one that looked like a magistrate .....strange stuff happens to me when in a church Sent from Yahoo7 Mail for iPhone |
Day 1 at The Lions.
I wasn't looking forward to tackling 'The Lions' but am loving the Pilot Fineliner - must remember to go easy on the water!!
Lions & Soccer Balls
During a brief pause to reflect on my drawing, I couldn't help noticing that the lions seemed sad, a pathetic look of longing. Then someone mentioned that the loins had been stolen.
Two of the lions standing beside the entrance gates were taken from Greece and added in 1687 (thank you Wikipedia).
My thoughts drifted to home and the people there. I would be sad if I was set in stone with no way to return.
The afternoon was a serene session of drawing in San Pietro Di Castello. The church has stood on the site since at least the 7th century. Lots to be inspired by, but I focused my energy drawing the elaborate altarpiece by Luca Gordono. So much overwhelming detail to draw!
But what caught my eye was the soccer ball lodged in the muted facade. I wondered if this was the work of an energetic child who aimed too high for that winning goal, or of a local football fanatic priest who secretly climbed the facade in the middle of the night and carefully wedged his favourite soccer ball (perhaps signed by his faviourite soccer player?) up high, closer to God to seek divine intervention for the next premiership. I hope it was the latter.
Venice- a visual artist's paradise
This my first time to Italy and Venice has already captured my heart, visually the city is full of historic architecture- with some buildings having a distinctive Islamic influence, which reflect the trade that took place in the 16th century, as Venice was the principal supplier in the spice trade, controlling nearly 70% of spices from the far East into Europe. The vast cities of primary trading partners — Byzantine Constantinople and Islamic Cairo — were the showplaces of the world and played a critical role in shaping the Venetian aesthetic.
Everywhere you look in Venice; there is something that captures the eye and the imagination, whether it's the distinctive Winged Lion sculptures- mascots of Venice. Or perhaps you are intrigued by the small painted cast iron figurines of Venetian men, which sporadically line the doors and windows in Venice, with a backdrop of a rendered ochre wall.
These artistic nuances, always require a closer look to uncover the history and arts man ship that is all around us. When technology did not exist but there were skilled artisans who loved their city and wanted to capture the diverse culture that makes up Venice.
When we meander around Venice, particularly into ancient buildings or churches, we exhale sweet perfume, the air of Venice toasted by the sun.
I am looking forward to continuing my artistic journey here in Venice, through using my senses to hear, smell and a see- a city laden with culture, that is so untouched by industrialisation.
S a r a L a v o i p i e r r e
Monday, 21 September 2015
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